Tribes of Europa (2021– )

Philip Koch was inspired to create Tribes of Europa (2021-) by the United Kingdom’s decision to leave the European Union in 2016. I see no evidence that the European Union is at risk from the United Kingdom’s decision. Equally it’s not hard to imagine a post-apocalyptic future in which fudal tribes fight over scares resources. In this world an unknown cataclysm has flung the world back into the dark ages. As is usual in these things some vestiges of the old world still exist. There are a few cars and some military trucks, the odd electric light, electronic key cards, recorded television programmes, high velocity weapons, forges able to manufacture razor sharp blades, and electricity enough to play trance music. Actually this apocalypse is less like the dark ages and more like the late seventies. That time before computers, mobile phones, or the internet. I suppose for some, life without social media is an apocalypse. The plot kicks off when the plane of a technologically capable tribe, the Atlantians, crashes near the village of the peaceful Origine tribe. Desperate to get control the Atlantian’s technology, an innocuous looking cube, the larger more aggressive Crows attack the Origine camp, killing or capturing most of the tribe. The Crows look like gothic cyberpunks, if the punks appropriated the look of some indigenous North American clan. Dressed in black, with topknots, and replicant eye makeup, they wouldn’t be out of place in the wastelands of Mad Max. From this encounter three siblings from the Origines tribe are forced to confront the terrors of this new world order. They’re innocents in a world of duplicitous aggression, destined to become idealists corrupted by necessity. Overall I like the idea but the execution feels over designed, and in many ways the plot’s too narrow. They tug at Europe’s troubled history, without really explaining the collapse of Europe, or the formation of the tribes. They’re complex cultures that would’ve taken centuries to define themselves in these specific terms. Not the fifty or so years since the collapse of information technology. Perhaps that’s why the six episodes leaves you wanting more, but it’s probably because the whole thing is two acts, and four episodes short. Hopefully series two will fill out the plot, and provide answers where there are now gaping holes.

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