Train to Busan Presents: Peninsula (2020)

This plays out in the same universe as the brilliantly unrelenting Train to Busan (2016). Anyone infected with a mysterious virus dies, comes back to life, and then charges teeth first at the living.

If the original film chronicled the spread of the virus across South Korea, this picks over the bones of a country abandoned to the hordes of bloodthirsty undead.

We follow a small crew, living as refugees in Hong Kong, as they are given the chance to make some fast cash. All they have to do is go back to South Korea and retrieve a truckload of money.

Once in-country they quickly find the truck, but their good fortune doesn’t last. While being chased by a horde of zombies they’re attacked by a small army of hardened survivors, capturing the truck because they think it’s full of food.

Separated from the truck, and more importantly the satellite phone essential to arranging a pickup, our hero is saved by a couple of young girls, badass sisters, junior destroyers, who’ve been surviving, thriving, in this crazy new world.

If the first act is inspired by Escape from New York (1981), the second is like having the last three Mad Max (1981-2015) films in one place. It’s a fun ride with a nice look. The players sometimes feel histrionic, but I think that’s an idiosyncrasy to Korean cinema.

If zombie films are your thing, it’ll fit nicely into an evening’s entertainment.


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