Rebellious young women arrive at a mysterious island to be re-educated, turned into the perfect ladies each of their families wants them to be. This all happens in a world that’s somewhere between a Disney fairytale and Portmeirion, the Village in The Prisoner (1967–1968). There are inconsistencies in the plot, that leak a vicious morality. One for an audience who haven’t seen enough to realise the silliness of it all.
