An answer prompted by a Jon Swaine and Stephanie Kirchgaessner article in The Guardian: UK rights advocate co-owns firm whose spyware is ‘used to target dissidents’
This article is full to the brim with all kinds political intrigue, hypocrisy, big money, hacking, terrorism, repressive governments, dissidents, and the glamour of the art world.
There are a dozen ways to build a plot around what’s on offer. There’s the journalist uncovering a conspiracy version. I have in mind something like The Parallax View (1974) or State of Play (2003). There’s an innocent accused of a crime version. Think Enemy of the State (1998) or The Pelican Brief (1993). There’s a version from inside law enforcement. Something like The International (2009) or Serpico (1973). It could easily be part of the plot for a spy film like Casino Royal (2006) or Tinker, Tailor, Soldier, Spy (2011).
My initial thoughts have the husband of an imprisoned dissident kidnap a wealthy art dealer Jill, and hold her hostage. The kidnapper starts to make demands of the art dealer’s husband, Jack. Conspiring with each new demand to expose his corrupt activity. As the plot drips through it becomes apparent it’s actually Jill’s spyware being used to hack Jack’s phone. All kinds of his secrets are exposed to the world. The kidnapper holds one last secret about Jill’s husband. When the two men finally meet to exchange their partners, Jill demands to know the final secret. When the kidnapper finally has his wife, he reveals Jack’s last secret to Jill. The news is so devastating to her, she kills Jack. We are left wondering, never knowing, his secret.