Reiner’s need

Many of the recent Carrion related posts have had something to do with Anthony Reiner; specifically those character related issues to do with his moral and psychological weakness. In these posts I tried to understand the things that are not only hurting Reiner, his psychological weakness, but are also hurting the people around him, his moral weakness. In the end I realised that Reiner’s moral weakness is his persecution of the drug user; a characteristic implicitly informed by his psychological weakness, an authoritarian personality. What I haven’t addressed so far is Reiner’s need. His need, to paraphrase John Truby, is what he must fulfil within himself in order to have a better life. But I’m having difficulty reconciling Reiner’s need with Adam’s; understanding how their individual needs interact. The story focus of Carrion is Adam. The events of the plot transform him from a self-righteous policeman into what I can only describe as a caring insurgent. I realise that reads like an oxymoron but essentially that’s what he becomes. By the close of the plot he truly cares about Christine. For the first time in their relationship he puts her needs first, even though what she asks from him devastates. From this personal crisis comes his new moral action; he picks up a gun to fight prohibition. The story ends only after he has taken this action, finally making the moral argument against security and for freedom. But what does all this mean when we start to consider Reiner and his need? What must he fulfil within himself in order to have a better life? And how does he argue for security? I think the answer to this question can be found in his authoritarian personality. In “Reiner and the totalitarian mindset” (1) I noted Alfonso Montuori’s characterisation of the totalitarian mindset as a response to the stress of contemporary pluralism. Basically we live in complex times full of uncertainty. We feel threatened. And when we’re backed into a corner we have a tendency to succumb to black-and-white solutions. When I translate this back into Reiner it indicates a course of action that goes something like this. Adam’s refusal to kill Christine at the end of the first act turns Reiner’s reality upside down. Until this point he considered Adam a protege and so perceives his refusal to kill Christine as nothing short of a treasonous betrayal. He finds the chaos of Adam’s refusal intolerable. He has a psychological need to restore order, return Adam to the fold. Unable to do this he has a moral need to destroy him. His attempts to enforce prohibition are his attempts to make the moral argument against freedom and for security. The punch, counter-punch of antagonist and protagonist play out as Adam and Reiner fight over the kind of world they will live in. In the end Reiner’s argument for security is crushed by Adam’s argument for freedom. If this were Reiner’s story instead of Adam’s, the argument for security would crush the argument for freedom. One final thing. At some point in the not too distant future I will have to turn all of this conjecture into a screenplay but until I’m clear about each character that seems like a folly. Expect more conjecture.

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