I’ve been thinking a lot recently about character change. Specifically Adam’s range of change. I wonder if there is enough room for Adam to move from one moral perspective to another without there being, dread of dreads, a kind of light bulb moment at the end. His actions at the end of the story must be the inevitable consequence of trials he has endured. But if John Truby is right and “true character change involves a challenging and changing of basic beliefs, leading to new moral action by the hero” I’m aware that I’ve plotted a story that demands a complete reversal of moral perspective in less that two days. Obviously this has the potential to be an implausible transformation. There is a pro-log that sets up Adam’s relationship with Christine. It happens six months before the major events of the story. My hope is that there is enough distance between the action of the pro-log and his action at the end to make Adam’s transformation plausible. Adam begins the story as a self-righteous prohibitionist. That’s the point at which I start him. Primarily because it’s the polar opposite of his moral perspective at the end. Adam’s self-righteousness drives him to arrest Christine and John. He takes a specific moral action based on his belief as a prohibitionist. His tough-love stance is born from a belief that he knows what is best for Christine. Chronologically this gives Adam six months to contemplate the consequence of his actions before the events of Carrion really get under way. My hope is that it introduces enough time for a level of self-doubt to creep into Adam’s character. He needs time to really feel the increasing threat of prohibition. So that when Reiner attacks the junkie at the end of act one the action he takes to save Christine don’t seem like too much of a leap. Hopefully the time between the pro-log and the inciting event is enough to make Adam’s arc believable. Ultimately Adam’s need to save Christine must fell not like the first step in his resistance of prohibition but something farther along the line. Something that is more like the forth or fifth step in a ten step journey. Starting this way will make the end point of Adam’s transformation that much closer. So that when he pick up a gun and attacks the forces of prohibition in the closing minutes of the story it doesn’t feel forced. It feels like the inevitable consequence of trials he has endured.