This is an interesting insight into Schrader’s process. I like that he knows while he’s writing how far or behind he is. Very interesting.
I collected this article because I thought “there’s a story idea in there somewhere.” Upon reflection, I’m not so sure. There are already so many films that explore themes of non-monogamy, consensual or otherwise. A story now would have to take all of these stories into account. It would have to be something more than the tensions within a relationship. Perhaps the story is in themes around shifting morality, or repressive morality. Perhaps there is a couple living happily in a life of consensual non-monogamy. A new authoritarian power with an oppressive moral code takes control. What happens to the couple? I just realised I’ve described the scenario of The Handmaid’s Tale. There is something in there, I’m just not sure what.
I could smell him before he passed me. He stalked onto the train stinking of Old Spice. The smell was so strong you could taste it, the way you taste Novocain on your tongue. He paused for a moment, looked left, then right, then tilted his head as if listening to a whisper. Specks of dandruff clung to the neckline of his grey pin-stripped suit like litter clings to the grass around a roadside picnic. The suit, probably off the peg at Next, was half a size too big across the shoulders. He wore it because he had to. It was testament. It told the world, “I’m one of you.” He knew he wasn’t. The suit was a mask, a polyester effigy of the man he wanted you to see. He cringed at the squeal of metal chafing metal, as unseen mechanisms forced the carriage doors shut. He took a breath, and tasted the humidity, savored it as if sampling wine, and not tasting the sweat of thirty souls. Beneath our feet the motors started to whir like the engines of a nineteen forties spaceship. Then the train started to move. In three long steps he was past a family of tourist, and in his spot, the zone reserved for wheelchair users. He perched on the spring-loaded seat, head pushed forward by the curve of the train. He tugged at the collar of his shirt, stretched pale skin taut over angular features. For a blink I thought of a vulture, perched on a branch, waiting for some pitiful creature to die. He checked the knot of his tie, made sure it was straight. Then dragged his thumb along the underside of the material, to the tip, and tugged gently. Held out for all to see, the tie looked like a bib splattered with offal. The choice to wear it was easy. Suits need a shirt and tie. Offered to him, wrapped in cellophane, paired with the pale pink shirt, the tie made sense. Out of the packet, here in the world, the swirling pattern clashed awkwardly with the vertical lines of his suit. The train hit a curve. Its wheels caught the track, and jerked, forcing him to adjust his footing. His shoes hid their age under a thick layer of polish. He had tortured the leather with his heavy hand, scrubbed grease into the skin, until their toes had collapsed. If he had taken the time to stuff them with paper, he could have restored their shape, given them back some of their youth. Instead he wore them deformed; who cared if they looked like a snake with an under-bite? The train jerked again. The man steadied himself. The lights above his head flooded thinning hair with neon. His hair had been tinted. He had done it himself, mistakenly washed the formula out too soon, and left his hair with a metallic undertone. Was he trying to hide his age? Was it an attempt to disguise his appearance? The train clattered over points, and started to brake. The man grabbed the handrail with his right hand. Inertia brought the bags in his left to heel. The cardboard Nespresso bag swung, rubbing itself against a decade old laptop case. The heavy cardboard stock of the bag was creased. Scuffed edges exposed the white paper beneath the coffee coloured print. It had seen more than one outing, been used a number of times. My guess, the choice to carry a bag of premium coffee, worked like the suit. It was testament, there to tell the world; “I’m better than you.” The nylon case told a different story, a tale of stoic utility. The case was a relic of the personal computing revolution. Made in the days when television screens were made in four by three; an aspect ratio that came with weight. His case was robust, designed to take the strain. The wheels let out a banshee squeal, as brakes clamped hard, slowing the train to a stop. My eyes traced the shape of the case, noticed a teardrop of blood leak from the seam. The viscous blob landed on his shoe, rolled over the leather like the bead of sweat rolling down my brow. I looked up. The man was staring right at me, his dark eyes daring me to do something. I glanced down. Another drop of blood hit the floor. The carriage doors opened. He took a step. The family of tourists got up. I took my chance, jumped off the train, and weaved my way along the platform, as passengers swapped places. With the exit in sight, I glanced back, expecting to see the man pushing past the family. Instead I saw him, still on the train, watching me. The doors started to shut. He took a step back, and let them close. I stood there, soaked in equal measure of fear and relief. The motors started to whir. The train started to move. The carriages rolled past, one after another, zum, zum, zum. Then I caught a glimpse, him back in his spot, standing in the zone reserved for wheelchair users. I stood there soaked in adrenalin, questions twisting my gut into knots. What was in the case? Was it blood dripping from the seam? Did he chase after me? Then the train was gone. I stood there, unable to move. I wanted to. Was this real? I knew I had to. Did it happen? Help me. Had I made it all up? The family of tourists chattered past, snapping me back to the day. Suddenly I was scared to be alone. I followed them off the platform, up the escalator, though the barrier, and onto the busy street. I never saw the man again. I never want to. I never travel that line. I always take another route across town. And whenever I get the smell of Old Spice, I make a dash for the nearest exit.
She had her phone pressed tight to her ear as I followed her into the station. The sole of her Nike Roshe trainers squeaked on the hard tile floor as she hurried towards the barrier. The casual comfort of the shoe clashed with the sobriety of her outfit. I had no doubt that in the black leather rucksack, she had slung on her back, were a pair of formal shoes. Nothing too high. A pair of Mary Janes with a small detail that made them interesting; an accent of colour, or a patterned lining; something that matched the navy dress she had carefully chosen to start the week? It was a plain dress that stopped an inch south of short. She had chosen it because it relied on tailoring not gimmicks to make its point. The modesty of her choice was reinforced by heavy black tights that clung to legs that had little, if any, variation from ankle to thigh. Her jacket, styled on a tweed classic by Chanel, hinted at tradition. It had no doubt been reproduced by a high street retailer, stitched together in China, so she could get the look, without the price tag, of the original. The grey pashmina she had slung over her neck hung long in front of her. It had a delicate herringbone pattern I only noticed as I followed her though the gates. It seemed superfluous on this warm autumn morning, leaving the impression that it was worn more as a comforter than a scarf. It hid a neck exposed by hair she had clipped casually to the back of her head. Strands of hair spiked from the clip like the fronds of a palm, exposing a small gold earring sitting tidily in the lobe of her ear. It offered a small hint of interest in an otherwise conservative impression. You could tell the pair were worn for sentiment rather than style. A gift given to her by her significant other. Something to bring good luck in the week ahead. The last thing I heard as I showed her my back, singing over the sounds of the morning commute like Keira Knightley in Pride & Prejudice, was an excited exclamation, “Oh dream!” The “dream” sat uncomfortably in my ear. She had used it not as a noun to mean a series of thoughts, but as an adjective. I had never heard dream used that way before, I’d never heard it used to mean great.
There’s an interesting idea for a film in this article. I can see the obvious parallel to Schindler’s List. Although Chiune Sugihara’s story doesn’t have a list to focus the narrative. Sugihara doesn’t change in the way Schindler does. Sugihara remains steadfast despite the pressure to conform. The question to be answered is what are the stakes, what does Sugihara want? Something to think about.
I’ll let that sit there. Think about it for a minute. I’d earn more standing behind a till at Tesco.