The New Yorker: How Garry Winogrand transformed street photography

The New Yorker

Richard Brody in The New Yorker, profiles Garry Winogrand, one of the all-time greats of street photography, and the impact his work had.

“Hang Em High,” New York, 1968.Photograph by Garry Winogrand ©
Protest, date unknown.Photograph by Garry Winogrand © 
Garry Winogrand: All Things Are Photographable

Winogrand famously died, leaving thousands of rolls of undeveloped film.

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